Jan 14, 2011, 17:11

We provide music comps to Tongal members who submit videos to contests. Tongal contests are normally sponsored by companies that pay out prize money for the best submissions (for details, visit www.tongal.com).

It’s also important, for the sake of understanding this article, to know what the term User Generated Content means. People who view internet trends from a 10,000 foot view and discuss them eloquently at trade shows use that term to describe stuff on websites contributed by outsiders – usually for free. This includes everything from eBay to Facebook to YouTube to our own www.musicrevolution.com. The lifeblood of these websites is the words, videos, pictures, contributed by outsiders. Business models back in the 20th century didn’t account for anything like this because business owners generally prefer to tightly control their products.

The very modern idea behind User Generated Content is that products, and by extension the market as a whole, are actually made better by these outside contributions. In many cases, even defined by them. If you ask someone who owns a UGC business exactly where their product comes from, the truthful answer should be……very special people just doing what they do….and thank God for it.

One of the video contests in which we were recently involved was sponsored by www.donorschoose.org, a charity website which Oprah recently announced as one of her “Favorites Things in 2010”. Donors Choose allows it’s visitors to handpick a specific school project in a specific US public school classroom and donate money to that project. Donors then receive a personal thanks from the teacher and students once the project is completely funded. It’s way cool.

This terrific stop-animation video created by SJ Lee, featuring MusicRevolution track “Accomplished” won 1st prize and $4,000.00:

I had the pleasure of interviewing SJ, also known as Julia, to learn more about how the video was produced. As I read her answers, I couldn’t help but thinking that her story embodies everything User Generated Content is about: Technically savvy creative people who have a much bigger stake in the game than just money:

The Interview:

1) Do you produce videos professionally? Was the DonorsChoose a side project or part of your regular day-job?

I’ve been dreaming of writing and filmmaking all my life, but being raised in a strict Korean family, my career choices had been limited to doctor, lawyer or computer engineer. My dad finally allowed me to get a MFA in Creative Writing, just as long as I promised to win a Nobel Prize in Literature someday. I currently work at VolunteerMatch.org, a nonprofit that connects good people with good causes. I write and filmmake in my free time.

2) Are you the person who folded the dollars?

Yes, I folded the dollars myself. The only one I had some difficulty with was the camera. There were about 50 steps, and I got stuck mid-way, so I enlisted the help of my friend, Maura Koehler-Hanlon who enjoyed folding paper origami. She was more familiar with origami terms and folds.

3) It’s no surprise this video took 1st place. It’s based around a simple, direct, easy-to-understand concept with flawless execution. Do you remember the circumstances when the idea of “what a dollar can do” came to you? Do you remember the circumstances when the idea for folding dollars occurred?

Thank you very much! I wasn’t exactly sure how I was going show donations actually transforming into classroom projects. Then I remembered a book I had on dollar origami. As I went through the pages and scoured the web for various dollar origami instructions, I chose three objects that would translate best into classroom learning. I originally planned on filming my own hands folding each dollar in a time-lapse film, but I soon realized how tedious that was going to be and this was not an instructional video on folding dollar origami. After I had the guitar, fish and camera folded, I went one step further by adding the colorful paper children and classroom settings to give the dollar objects a stronger visual context. I must admit that even after I had all the objects, film clips, voiceover, and music, I still wasn’t sure how the video was going to turn out. When I viewed the final product, I must have replayed it twenty times because I was so thrilled and proud of the finished video.

4) Had you worked with stop-motion before?

It’s kind of funny. I taught myself the stop-motion style last year because I didn’t have enough resources to pay for a proper crew, actors and locations. During the year, I had produced several stop-motion videos for various Tongal projects, fine-tuning my skills through trial and error. So it felt like I had finally graduated with top honors to win with my DonorsChoose video!

5) Did you have a pre-existing idea of what the music should sound like or did you just know the right one when you heard it?

I knew the tone had to be uplifting, but I had no idea what music I was going to use until I heard it. I downloaded the various songs that were provided by MusicRevolution. Then I placed the song I had chosen into the video, and it was pure magic!


6) Confession: I’ve really become a fan of DonorsChoose since I learned about the site through Tongal. Is there any kind of personal or emotional connection you have with this cause?

I work at a nonprofit myself, so this particular Tongal project really spoke to me. It’s been fun making commercials selling various products, but when it’s for an amazing cause, especially helping children, the stakes became higher for me. I put an extraordinary amount of care and effort into this video, so winning first place truly meant the world to me.

7) Were there any other folks that worked on this project you’d like to acknowledge?

I’d like to acknowledge Maura Koehler-Hanlon for her origami expertise and MusicRevolution for the perfect music for my video.
I have some other examples of my artwork here: http://imaginathink.wordpress.com/

8) Who did the voice over?

That was me (in the best acoustic room in my apartment, my bathroom). 🙂

Conclusion:

I have no idea if DonorsChoose was aware that Julia created this video in her spare time and recorded the voice over in her bathroom. I have no idea if Tongal knew that Julia dreamed her entire life of working in the creative arts and finally got a break. I have no idea if the song “Accomplished” was originally created by Michael Kakhiani in hopes helping school kids get the materials they need. But I’m sure glad those folks did what they did to make all that possible.

Here’s to gifted people that make the world a little better. Cheers.

___________________________________________________

Mike Bielenberg is a professional musician and co-founder of http://www.musicrevolution.com, a production music marketplace where media producers and business owners can license high-quality, affordable music from a online community of musicians.

Jan 13, 2011, 21:13

Here’s another terrific TV commercial soundtrack. Incredibly well-produced electronica:

Mike Bielenberg

www.musicrevolution.com

Jan 12, 2011, 16:13

The jingle at the end of this Campells Soup spot is very catchy. Although I couldn’t find any agency or music house info.

Mike Bielenberg
www.musicrevolution.com

Jan 11, 2011, 15:22

I am absolutely pumped about this! Here’s our official press release:

(Trumbull, CT – January 11, 2011) – MusicRevolution.com (www.musicrevolution.com), an innovative online marketplace for production music, today announced that its production music library now exceeds 10,000 tracks of royalty-free music.

“With over 10,000 tracks of high-quality royalty-free production music online, our community of professional musicians has helped us to reach the critical mass necessary to ensure that we can meet almost any music buyer’s needs. And with new tracks being added every day, our production music library is very dynamic and offers the latest production music,” stated Chris Cardell, Co-Founder of MusicRevolution LLC. “The range and depth of our production music library has also enabled us to create innovative new production music offerings such as our Internet Music Stream for retail, restaurant, fitness club, business and website background music,” added Cardell.

“We are extremely pleased with the participation of the hundreds of professional musicians who are part of the MusicRevolution.com online marketplace for production music who helped us to achieve this milestone. The quality and depth of our musicians is tremendous,” stated Mike Bielenberg, Co-Founder of MusicRevolution LLC. “As a result, media producers, video producers, filmmakers and music buyers are able to access the best and the latest production music at MusicRevolution.com,” added Bielenberg.

MusicRevolution’s royalty-free production music library includes every genre and style of music, including: On Hold, Fun, New Age, Rock, Comedy, Corporate, Drama, Energetic, Orchestral/Classical, Christmas/Holiday, Acoustic Guitar, Hip Hop, Retail, Sentimental, Advertising, Electronica, Country, Jazz, Piano and Vocals.

___________________________________________________

Mike Bielenberg is a professional musician and co-founder of http://www.musicrevolution.com, a production music marketplace where media producers and business owners can license high-quality, affordable music from a online community of musicians.

Jan 10, 2011, 16:02

Location: Kingston, London, UK
Member since:
December 14, 2010
Tracks in portfolio:
11 (click here to hear all tracks)

Tracks We Like:

“Butterflies”

“Psychodelia”


The Interview

1. High profile projects or clients you have worked for?

At the moment I am working with a film student at the New York Film Academy in Hollywood, on a soundtrack for a Science Fiction film, which will be entered into film festivals.

2. Primary instrument?

Probably my Keyboard, as I use it to compose with and play all the sound libraries on my Mac.

3. Favorite music-making piece of gear or software you currently use?

I would probably say my Apple Mac-Pro, as it handles with ease the mass array of sound libraries and virtual instruments I use, all at once, and without it, I probably would be lost. Software wise, probably Synthogy Ivory, as I don’t own a real piano, Ivory is second best.

4. Piece of gear or software you wish you owned?

The Vienna Symphonic Cube, as its every MIDI orchestrators dream orchestral sample library. But as it costs the same amount as a small Japanese hatchback, it is a little out of reach for most of us.

Either that or a real Piano, preferably a Yamaha C7 grand piano.

5. Film score or song you admire? Why?

Don Davis’ fantastic score for The Matrix, it is an orchestral marvel that complements the film perfectly and is a milestone in modern film music, all my opinion of course. I some times listen to it just for the orchestration, as Don Davis is a master orchestrator and the score is a good model for aspiring film composers.

6. Music education background?

Learned Guitar, Piano and Drums from a young age, did GCSE Music, along with A Level Music and Music Technology. Then went on to do a BSc Hons degree in Music Composition and Technology and currently doing an MMus in Composing for Film and Television.

7. Memorable “Aha!” moment during your musical education?

Realising I wanted to be a film composer. I was just sitting down, thinking about the future when I thought to my self. ‘Chris, you like films, and you write music, why not be a film composer?’ Aha indeed.

8. Most embarrassing music-related moment?

Playing guitar in a band at a school concert, and not knowing I was playing the wrong song till half way through and after several angry glances from the band members.

9. If you had a time machine and could record or perform once with any artist, who would it be?

I would go back to when Beethoven could still hear, armed with a MIDI keyboard, a Mac and as many sample libraries and synths as I could store and just record what he played.

10. Moment you first knew you would be a musician?

When I was given my first musical instrument, a nylon string Spanish guitar at age 8. Ever since then I was fascinated with music.

11. Advice you would give to a younger family member interested in a music career?

Learn as many instruments as you possibly can, practice writing music as often as you can and most importantly, work hard and practice.

12. Five songs or albums you’d take with you to a desert island?

1. Toto – Africa

2. Nik Kershaw – The Riddle

3. Steve Reich – Electric Counterpoint

4. The Stranglers – Golden Brown

5. Daft Punk – Digital Love

13. If you could master another instrument, what would it be?

The Cello, I have always loved the sound of it, and I often compose for a string orchestra and cannot play any orchestral string instruments.

14. Favourite time of day to work in your studio?

Normally after breakfast, or after 12, which ever comes sooner.

Big thanks to Christopher for contributing tracks that help make MusicRevolution the Production Music Marketplace.

___________________________________________________

Mike Bielenberg is a professional musician and co-founder of http://www.musicrevolution.com, a production music marketplace where media producers and business owners can license high-quality, affordable music from a online community of musicians.

Jan 7, 2011, 12:19

The NY Times recently ran a piece about the realities of modern classical music. I was really impressed with how evolved the working philosophies of both the composers and performers of new music has become.

For the performers, many acknowledge that most modern music is “not very good”, but nonetheless there is a responsibility to perform new works in order to discover that hidden classic. Even the music of J.S. Bach did not become popular until many years after his death.

As for the composers, they’ve come to understand that the process of vetting out timeless musical works that will stand shoulder-to-shoulder with Mozart and Beethoven will likely exceed their lifetime.

Therefore they mostly focus on having fun and incorporating elements form pop, rap and electronica in ways that excite them personally. Wisely, they “let history take care of itself”.

I love that.

Mike Bielenberg
www.musicrevolution.com

Jan 6, 2011, 18:14

Location: London, UK
Member since: December 15, 2010
Tracks in portfolio: 5 (click here to hear all tracks)

Tracks We Like:

The Arizona Tree – Main Theme

Ocean

The Interview:


1. High profile projects or clients you have worked for?

I’ve done quite a lot of music for Dorling Kindersely the book publishers. I’ve also had music used by the Oprah Winfrey Show. Done a few things for the BBC. About to do a really cool score for a sci-fi film I can’t talk about yet.

2. Primary instrument?

Piano

3. Favorite music-making piece of gear or software you currently use?

I had used Cubase since version 1 then a few years ago I had so many problems with Cubase and no help from technical support that I decided to switch to Digital Performer – which I like a lot

4. Piece of gear or software you wish you owned?

All the Vienna symphonic libraries!

5. Film score or song you admire? Why?

Han Zimmer’s Gladiator – a perfect synergy of film making and music. But I saw ‘Rogue’ recently about a giant alligator –  the score by Francois Tetaz is fantastic. Check it out. Really good stuff. Anything by Ennio Morrocone. Loved Clint Mansell’s Moon score.

6. Music education background?

Piano Grade 5. That’s it.

7. Memorable “Aha!” moment during your musical education?

Realising – all the tools you need are a piano and one finger to come up with a good tune.

8. Most embarrassing music-related moment?

On stage in cycling shorts.

9. If you had a time machine and could record or perform once with any artist, who would it be?

Mozart. Though I think I’d be just watching and listening.

10. Moment you first knew you would be a musician?

Punching my brother on the nose when he was banging on the piano as I was trying to play it for the first time.

11. Advice you would give to a younger family member interested in a music career?

Become a lawyer.

12. Five songs or albums you’d take with you to a desert island?

The The – Infected.
David Sylvian – Secrets of the Beehive.
The Mission – Ennio Morricone.
Rammstein – Liebe ist für alle da
The Beatles – The White Album

13. If you could master another instrument, what would it be?

Guitar

14. Favorite time of day to work in your studio?

2Am

15. Any studio collaboration you experienced that stands out in your mind? Why?

Still hoping.

Big thanks to Simon for contributing tracks that help make MusicRevolution the Production Music Marketplace.

___________________________________________________

Mike Bielenberg is a professional musician and co-founder of http://www.musicrevolution.com, a production music marketplace where media producers and business owners can license high-quality, affordable music from a online community of musicians.

Jan 4, 2011, 19:26

You can upload your own audio content to this instrument and trigger it through the input interface. Very conducive to performance art. Cool stuff.

Mike Bielenberg
www.musicrevolution.com

Jan 3, 2011, 22:35

Here’s a mix tip that instantly made my orchestral mixes better back in the day:

Run your percussion tracks through a big plate verb BEFORE you run the entire mix through a big room verb. This simulates the relative proximity of a real percussion section within a real recording studio. It sounds huge.

Enjoy!

Mike Bielenberg
www.musicrevolution.com

Dec 22, 2010, 11:23

Chris and I would like to thank our amazing musicians and customers for making 2010 an unforgettable year of great music and incredible growth.

Thanks to your contribution we can offer last-minute holiday music shoppers with lots of inventory to choose from:

Search results for “Christmas” – 225 tracks

https://www.musicrevolution.com/search/?x=0&y=0&keyword=christmas

Search results for “Auld Lang Syne” – 9 results

https://www.musicrevolution.com/search/?keyword=auld+lang+syne&application=0&mood=0&genre=0&instrument=0&influence=&vocals=1&results=20&x=0&y=0

Search results for “Valentine” – 37 search results

https://www.musicrevolution.com/search/?keyword=valentine&application=0&mood=0&genre=0&instrument=0&influence=&vocals=1&results=20&x=0&y=0

Happy Holidays from MusicRevolution!

___________________________________________________

Mike Bielenberg is a professional musician and co-founder of http://www.musicrevolution.com, a production music marketplace where media producers and business owners can license high-quality, affordable music from a online community of musicians.